•11:00 – 12:00 : The Infinite Monkey Theorem as applied to Music (Have we got a new Mozart Yet?)
Mike Banks (Solid State Logic), Mike Exeter (Engineer), Matt Taylor (Recording Engineer), Jes Kerr (Kerr Acoustic), Ian Shepherd (Mastering Engineer).
•12:15 – 13:15 : Let The Music Pay: Surviving and Thriving in the Streaming Era
Yvette Chivers (DJ & Radio Presenter), Tom Macpherson (Yes! Artists), Hayley Kennedy (Warner Music Group), Jonny Hillyard (Shelf Lives).
•13:15 – 14:15 : Networking
•14:15 – 15:15 : Fireside with Phil Harding
In the 1970s, Phil Harding’s career started at the Marquee Studios, engineering for The Clash, Killing Joke, Toyah and Matt Bianco. The 1980s followed with mixing tracks for Stock, Aitken & Waterman at PWL Studios tracks by for artists such as Bananarama, Rick Astley, Depeche Mode, Erasure, Pet Shop Boys and Kylie Minogue. Moving to Strongroom studios in the 1990s mixing for the likes of East 17 and Boyzone.
•15:30 – 16:30 : Anyone Can Play Guitar: A discussion on access to opportunities in the music industry, including education, diversity, accessibility and technology.
Mark Pickering (ARU), Dr Paula Wolfe (Sib Records), Sabrina (Shelf Lives), Phil Harding (JAMES Co-Chair), Grace Capaldi (Echotown Studio).
•17:00 – 18:00 : “Uncertain Joys” with Billy Lunn (The Subways)
The Subways released their debut album (Young For Eternity) in 2005. Since then, they’ve been fortunate enough to tour the world many times over. Their fifth album, Uncertain Joys, was released on 13th January of this year. As well as writing The Subways’ music and lyrics, Billy Lunn is also a recording and mixing engineer, not just for his band, but for other artists which will be delved into during this fireside interview.